Call for Presentations
3rd Global Conference
Sunday 12th May – Tuesday 14th May 2013
Prague, Czech Republic
Prague, Czech Republic
This inter- and multi-disciplinary conference aims to examine, explore and critically engage with issues related to urban life. The project will promote the ongoing analysis of the varied creative trends and alternative cultural movements that comprise urban popcultures and subcultures. In particular the conference will encourage equally theoretical and practical debates which surround the cultural and political contexts within which alternative urban subcultures are flourishing.
Presentations, papers, performances, reports, work-in-progress, workshops and pre-formed panels are invited on issues related to any of the following themes:
1. Urban Space and the Landscape of the City
Urban Aesthetics and Architecture, Creative Re-imagining and Revitalization of the City.
Brown Fields Reborn. The Metropolis and Inner City Life: Urban Boredom vs. Creativity.
Urban Aesthetics and Architecture, Creative Re-imagining and Revitalization of the City.
Brown Fields Reborn. The Metropolis and Inner City Life: Urban Boredom vs. Creativity.
2. The City as Creative Subject/Object
Urban Life and Urban Subculture Considered in Music, Literature, Art and Film, Urban Fashion and Style. Mobile Gaming. Alternate Realities. Urban Visual Styles, Street Art, Graffiti and Tagging. City Festivals.
Urban Life and Urban Subculture Considered in Music, Literature, Art and Film, Urban Fashion and Style. Mobile Gaming. Alternate Realities. Urban Visual Styles, Street Art, Graffiti and Tagging. City Festivals.
3. Urban Codes
Alternative Popular Culture and Ideology, Politics of Alternative Popcultures, D.I.Y, Alternative Ethics of the City. Urban Religion and Religious Expressions. The Language and Urban Slang. The Avantgarde and Urban Codes.
Alternative Popular Culture and Ideology, Politics of Alternative Popcultures, D.I.Y, Alternative Ethics of the City. Urban Religion and Religious Expressions. The Language and Urban Slang. The Avantgarde and Urban Codes.
4. Alternative Music Cultures
Histories, Representations, Discourses and Independent Scenes. Popular Music Theory. The Visual Turn. Urban and Alternative Classes, Intertextualities and Intermedialities. Postmodernity and Beyond. Clubbing and Scenes. Hip Hop and Rap. Dark Wave Scenes – EMO, Post-Gothic, and Underground Electronica.
Histories, Representations, Discourses and Independent Scenes. Popular Music Theory. The Visual Turn. Urban and Alternative Classes, Intertextualities and Intermedialities. Postmodernity and Beyond. Clubbing and Scenes. Hip Hop and Rap. Dark Wave Scenes – EMO, Post-Gothic, and Underground Electronica.
5. The Urban Underground
The Rise and Fall of the Experimental Subcultures, Scenes, Fashions and Styles. Alternative and Underground Dance, Electronica, Hip Hop, and Punk and Post-Rock Scenes.
The Rise and Fall of the Experimental Subcultures, Scenes, Fashions and Styles. Alternative and Underground Dance, Electronica, Hip Hop, and Punk and Post-Rock Scenes.
6. Queer Theory and Urban Alternative Cultures
Gendered Music and Fashion. The Role of the City in Gendered Freedom and Libertine Lifestyles. Pride Parades.
Gendered Music and Fashion. The Role of the City in Gendered Freedom and Libertine Lifestyles. Pride Parades.
7. The City, Fashion, and Identity
Identity Creation. Style and Branding. Politics of Cool. Pretties, Freaks and Uglies.
Identity Creation. Style and Branding. Politics of Cool. Pretties, Freaks and Uglies.
8. Visions of Alternative Sound Cultures in Massmedia
The Visual Aspects of Alternative Entertainment. The Evolution of Music and Thematic Television. Media Structure of Music Video. Explicit TV and Censorship. Urban Styles and Extreme Sports.
The Visual Aspects of Alternative Entertainment. The Evolution of Music and Thematic Television. Media Structure of Music Video. Explicit TV and Censorship. Urban Styles and Extreme Sports.
9. Urban Subcultures in Online World
Urban Identity and Global/Glocal Membership. Globalization/Localisation of Underground Music Experience. Copyright/Copyleft. The Role of Internet in the Transformation of Music Industry. The Impact of User-generated Content.
Urban Identity and Global/Glocal Membership. Globalization/Localisation of Underground Music Experience. Copyright/Copyleft. The Role of Internet in the Transformation of Music Industry. The Impact of User-generated Content.
What to send:
300 word abstracts should be submitted by Friday 30th November 2012. All submissions are minimally double blind peer reviewed where appropriate. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 15th February 2013. Abstracts should be submitted simultaneously to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
300 word abstracts should be submitted by Friday 30th November 2012. All submissions are minimally double blind peer reviewed where appropriate. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 15th February 2013. Abstracts should be submitted simultaneously to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order:
a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract f) up to 10 key words
E-mails should be entitled: Urban Popcultures 3 Abstract Submission.
E-mails should be entitled: Urban Popcultures 3 Abstract Submission.
Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.
Organising Chairs
Jordan Copeland: copeland@lasalle.edu
Daniel Riha: rihad@inter-disciplinary.net
Rob Fisher: up3@inter-disciplinary.net
Daniel Riha: rihad@inter-disciplinary.net
Rob Fisher: up3@inter-disciplinary.net
The conference is part of the 'Critical Issues' programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting
Dr. EMAD HANI ISMAEEL
Ph.D. in Technologies for the Exploitation
of the Cultural Heritage .
Senior Lecturer in the Dept. of Architecture
College of Engineering , University of Mosul
Mosul - Iraq .
E-mail: emadhanee@yahoo.com
Web Site: http://sites.google.com/site/emadhanee/
Tel : +964 (0)770 164 93 74
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